Friends of the Dorothy Neal White Collection
Notes Books Authors
5
1996

Charles Hamilton & the 'All Blacks'

PREFACE

The second World War saw the demise of most of the juvenile story-papers
which had flourished for many years. Some had quite long histories; others had
appeared after the First World War. By 1940 many were past their zenith and
faced a reducing market. Their appeal was on the wane, and war hastened their
end

The writers for these papers, many quite prolific, largely specialised in
writing for this format. However, stories by poular hardback authors also
appeared.

Charles Hamilton, the creator of Billy Bunter, was the most prolific of all
the story-paper writers. Under his own name and many pseudonyms, an immense
output flowed from his fertile mind. But war seemed to have brought this to a
final halt.

However, two new privately circulated magazines kept the works of Hamilton
alive. These magazines, founded in Canada in 1941 and England in 1946, also
amalgamated as Story Paper Collectors' Digest, which is published
monthly in England and with an Annual.

In 1947, the first hardback Bunter book appeared. Other hardbacks, not all
featuring Bunter, followed, and later the papebacks.

If Bunter is the best remembered of Hamilton's many memorable characters
perhaps the finest is the portrayal of Heny Samuel Quelch: 'a beast but a just
Beast.' He is one of the greatest schoolmasters in fiction.

The Bibliography is in date of publication order. All add something to the
knowledge of Hamilton, of his witings, or of his characters. I am greatly
indebted to the authors and editors of the various works. The best overall view
is Frank Richards by Mary Cadogan. My special thanks to Mary for the
Girl Scout and Menton references.

Reg V. Moss

CHARLES HAMILTON & THE 'ALL BLACKS'

'Ow!' roared Bob Cherry stopping his ears with his fingers, "you're not
refereeing a match with the All Blacks."

Is this the first mention of the All Blacks in fiction. The source is a
juvenile story-paper (Magnet No.53) published in England on 13th
February 1909.

Magnet, which was published weekly, recorded the Greyfriars saga of
Harry Wharton and Billy Bunter. The author was Charles Harold St. John Hamilton
using his best known pseudonym of Frank Richards.

Why did Hamilton make this All Black reference, which obviously refers to the
1905 All Black tour? The context does not involve a football match and
Greyfriars was a soccer, not a rugby playing school. Whatever the reason, it
suggests that the All Blacks' style of play and interpretation of the rules
incurred the wrath of the referees, and that this had been duly reoorded by the
press.

Hamilton certainly made efforts to be abreast of the times. When the Boy
Scouts were founded in 1908,he was quick to feature Boy Scouts in his stories.
Even more strikingly, since the Girl Guides were not founded until 1910, in an
issue of Gem datd 17th August 1909 he introduced a rival troup of Girl
Scouts. They were in skirts but otherwise outfitted the same as the boys.
(Nevertheless it is debatable whether this was the first Girl Guide story
written, as in July 1909 a Girl Scout story by Evelyn Yates appeared in the
Girls' Reader.)

The cover of a typical story-paper for children

Charles Hamilton was born on the 8th August 1876 and began his writing career
at 17, his first story being published in 1893. By the turn of the century his
school, adventure, sport, western and detective stories were appearing in
numerous story-papers.

But Charles Hamilton may have only been known as a prolifc writer of juvenile
stories, if it had not been for Harmsworth's Fleetway House, later Amalgamated
Press. Fleetway House recognised Hamilton's talents, and decided to secure his
services on a regular basis. He was to write the feature school story in a new
series of Gem, involving his St. Jim's School. Moreover, a similar
length story about a new school, Greyfriars, in a new story-paper, the
Magnet.

Mr Quelch and Bunter from Yarooh! a feast of Frank
Richards
by Gyles Brandreth.
Eyre Methuen, London.(1976)

Both papers appeared in Februay 1908, the stories written by 'Martin
Clifford' and 'Frank Richards' respectively.

His publishers may have hoped that this work load would curtail the time
Hamilton spent writing for other publications, including music. A writer of
popular songs, his soccer version (twelve verses) of On the ball, with
music by brother-in-law Percy Harrison, had been vey successful.

Hamilton was never a member of the Amalgamated Press staff. He always
remained a freelance writer. For each Gem story and each
Magnet story, the payment was as much as eighteen guineas. When
Magnet ceased publication in 1940, the payment was fifty pounds per
story.

Stories published by Amalgamated Press were required to be 'wholesome'. Thus,
in Gem and Magnet, smoking, drinking, gambling and betting
were strongly condemned - at least for schoolboys.
In Magnet 332 of
June 20th 1914, Hamilton makes a typical comment, obviously from his own
experiences (he was a keen gambler):

"You don't believe in a system?"
"Yes, I do", said the Bounder
unexpectedly, "I've looked into it. There's not one system: there are half a
dozen that would be certain to win if the game were played fairly. That alone
is a proof that it isn't played fairly, for lots of people go there with good
systems, and the casinos don't go broke that I've heard of. I shouldn't wonder
if your system's all right, given a fair game. But given a game in the hands
of the most unscrupulous set of swindlers on the Continent... it's the
duffiest wheeze I ever heard of."

The readers of the Magnet had been duly warned.

A traveller, observer, and commentator, Hamilton often took the opportunity
to express his views - particularly in the Magnet. To this extent he
was an unusual writer of juvenile ficion. This aspect of Hamilton seems to have
been missed by critics, who are more concerned with his creation of anti-hero
Billy Bunter.

In Magnet No. 1021 of 10th September 1927 the Greyfriars party on
board Mr Vernon-Smith's yacht has arrived at Singapore. Hamilton takes the
opportunity to comment:

Among other sights, the Greyfriars fellows had a look at the immense new
naval base under construction, and they found it interesting enough, and as
they were not old enough to be taxpayers, they did not bother about the
millions that were being flung away in that far corner of the East. Mr
Vernon-Smith explained to them that the immense base was necessary for the
security of the Empire, according to the best militay and navaI intelects
available. "You see the next war if it comes at all, will be in the air, so
naturally they devise a naval base to meet it. But bless you, they might have
made it a cavalry barracks. I'm rather surprised that they didn't really".

Mr Vernon-Smith had the pleasure - or otherwise - of paying away a small
fortune evey year in the shape of income tax, which doubtless caused him to
regard such expensive futilities with a baleful eye.

Travel, sickness, and a heavy work load caused problem's for Hamilton's
Publishers. The stock pile of scripts was always small, and any delay in receipt
meant having to engage a substitute writer or writers, often members of the
editorial staff. These substitute writers were instructed to imitate Hamilton's
style, but this was no easy matter. There was a difference between the
Gem style and the Magnet style, for instance. While several
writers achieved some resemblance, most failed; and this was apparent to
numerous readers who wrote to the Amalgamated Press asking when the 'real'
author would be back.

This fact would have surprised George Orwell, who suspected the Greyfriars
stories were written by a team to a set style, which was easy to follow.
Hamilton's reply was that he had "written them all".

Hamilton preferred not to acknowledge the substitute writers. He detested
their use of his characters and pseudonyms. One writer actually killed off one
of his characters. Others introduced new characters.

Greyfriars featured in all the 1683 Magnets published, and Hamilton
wrote 1380 of them (about 82%). The balance is credited to 25 authors, ranging
from a single story to the 96 by George Richmond Samways. The latter joined the
editoial staff in 1914 at the age of nineteen.

However. Hamilton wrote only about 66% of the St. Jim's stories in
Gem. After 1926 he wrote few new St. Jim's stories. In 1931 acting on a
suggestion of a long-time reader, 404 ear1y stories were republished in
Gem, some with minor editorial adaptation.

By 1919 Magnet and Gem were extremely successful and both
had a strong following of girl readers. Accordingly, Amalgamated Press decided
to publish a girls' school story paper.

The paper, School Friend, would involve Cliff House, which since
1909 had occasionally appeared in Magnet. In a 'nice' sense some Cliff
House girls were friends of Greyfriars boys. So the characters were Hamilton
creations, already known to Magnet readers. (Magnet sales were
now greater than Gem; in earlier days Gem had been the more
popular.)

Scenes of Charles Hamilton's life and home

By now, Hamilton was writing 50,000 to 60,000 words each week, but he readily
agreed to write an additional weekly story; and the first issue of the new paper
was duly published on 17th May 1919, the Cliff House story being written by
'Hilda Richards'.

But School friend had a different editor to the boys' paper, and
there was concern that Hamilton would not cope. He was told that his priorities
in order were, (1) Magnet, (2) Gem and (3) Boys
Friend. The latter had the Rookwood School stories by 'Owen Conquest'.
These shorter stories first appeared in 1915.

An illustration from Left to Lovell: a story of
Rookwood School by Owen Conquest from Tom Merry's Own Manderville
Publications. date uncertain

So after the first few issues of School Friend, the stories were
written by Horace Phillips as Hilda Richards. The result was two Cliff House
Schools. School Friend stories now had no connexion with Greyfriars in
Magnet. Hamilton retaliated by using his Cliff House girls more
frequently in the Magnet Greyfriars stories. During the twenties and
thirties most readers believed that Frank and Hilda Richards were brother and
sister.

In 1922 Hamilton bought two properties in Southern France, one at Menton. At
this time he was hugely productive, often exceeding 80,000 words in a week.
However in 1926 he returned to England and never again visited Europe.

Hamilton's best known adventure series was King of the lslands,
which started in the first issue of Modern Boy in Januay 1928. He also
wrote the 'schooldays" of the comedian Will Hay at 'Bendover College'.

A Fortune in Pearls by Charles Hamilton from Tom
Merry's Own, Mandeville Publications

Hamilton's writing reached its zenith in the Greyfriars stories of the late
1920s and early thirties. Between 1928 and 1931, only 13 stories were by
substitute authors. From 1932 to the last issue of Magnet in 1940, all
the stories were by Hamilton. At its peak, the circulation of Magnetwas
almost 250,OOO - and this in a time of depression.

The first (1908) and last (1940) issues of Magnet,
Amalgamated Press

After World War 2, Hamilton wrote stories about six new schools. (He created
about 100 schools in all.) But the major development in those years occurred
when the publisher Charles Skilton approached Hamilton to write a Greyfriars
story in hardback form. Initially Amalgamated Press claimed rights to the
Greyfriars characters, but it eventually agreed to the pubIishing of such
stories, providing it was not in serial story-paper form.

The first book, Billy Bunter of Greyfiars School, was a huge
success. The firnt printing of 10,OO0 was followed by two reprints, making a
total printing of 25,OOO. Hamilton only wanted his normal payment for a story,
but Skilton suggested a royalty. So Hamilton received about one thousand pounds
instead his expectation of one hundred and fifty pounds.

SkiIton's firm proved too small to handle the Bunter Books, and Cassell took
over. In all, 38 Bunter Books and one Bessie Bunter were published between 1947
and 1965. Bound books of St. Jims and Rookwood were also published by
Mandeville. Later there were numerous paperbacks such as Armada and Gold Hawk.
Also, several books were produced in Braille. This was a particular delight to
Hamilton because of his poor vision. (He used purple typewriter ribbons as they
were easier to see than black.)

In 1962 a TV series of Greyfriars and Billy Bunter, scripted by Hamilton, was
producd by the BBC. They ran for five years. Later there were six annual Bunter
Christmas stage shows.

In all, Hamilton wrote at least 5000 stories (the equivalent of 1000 novels)
typing them directly on a Remington No. 7. They appeared written under 28
pen-names, in 47 different publications. Over 3000 stories were reprinted,
sometimes in shortened form, in other publications. Some 75% ofSchoolboys
Own Library were such reprints.

Hamilton never married. His life interests were writing stories, studying
Latin, Greek, and modern languages, chess, music, and gambling, especially at
Monte Carlo. A kindly man, he had a lifelong affection for his sister Una, and
her daughter Una Hamilton Wright.

He was still writing after he tumed eighty. Two events particularly delighted
him in his latter years: in November 1959, the BBC broadcast his Latin versions
of popular songs such as Waltzing Matilda, under the title of
Living songs in a dead language; and in June 1961, a Bunter story in
Latin was published in the Times Educational Supplement. He died later
that year, on the 24th December 1961.

Did Hamilton ever fail to have his works published?. It is believed that only
one Greyfriars story was ever rejected. However a translation of Horace's Odes,
crossword puzzles in five languages, and Faith and Hope, his views on
religion, were rejected as not having a sufficient market.

If Hamilton's writing was a phenomenon, then the continued interest in his
writing is phenomenal. George Orwell would be amazed.

In 1941 W. H. Gander of Manitoba, Canada, established an occasional paper,
Story Paper CoIlector for the discussion of boys' papers and story
books. Considerable space was devoted to the writings of Hamilton. Five years
later Herbert Leckenby produced a similar monthly paper in England. This was
called Collectors' Digest. In 1966 the two papers were incorporated as
Story Paper Collectors' Digest. By December 1993 no less than 584
monthly issues, and 47 annuals, had been produced by Collectors'
Digest, and later Story Paper Collectors' Digest. The present
editor, Mary Cadogan, writer, critic and broadcaster, has widened the scope to
include girls' story-papers and general juvenile literature.

We owe a great debt to W.O.G. Lofts for his research of authors and their
publications, and also to Eric Fayne and Roger Jenkins, both shoolmasters by
profession, for their many articles on Hamilton and his writings. Mary Cadogan
has added a new dimension with more emphasis on girls' stories, as well as her
appraisal of not only Hamilton but other authors.

In 1969 Howard Baker, a former Amalgamated Press editor, now a publisher, set
out to produce on good paper and in bound volumes, facsimilies of the 'old'
story-papers. His main object was to produce evey copy of Magnet, and a
selection of other papers. Permission to do this was negotiated with Amalgamated
Press. Unfotunately Baker died in 1990 after some 245 volumes had been produced
Of these, 25 were St. Jims stories (Gem) and 176 were Greyfriars
(Magne). Only about 150 issues of Magne were still to be
published out of a total of 1683. So the work is not quite complete.

Charles Hamilton's writing has always to be considered in relation to the
time in which he lived. Perhaps he may be considered as even then somewhat
'old-fashioned'. Homever his kindly and peaceful nature comes out in his
stories. The underdog, even Bunter, usually wins out. The same applies to most
of his students of foreign extraction, including Jewish extraction. They are
always supported by the 'decent fellows'. With Hamilton, it was not race or
colour that mattered but the character of the individual.

Charles Hamilton's life suggests an inner conflict. He must have written more
words than any other writer, past or present. Yet he could have been an academic
in Classic or Modern Languages. When asked why he had preferred writing, he
intimated that there was nothing better than writing for boys. To the scholarly
Hamilton there was no conflict.

R. V. Moss

The story of our lifeboats by Gordon Campbell, from
Tom Merry's Own Mandeville Publications [19--]

About the author

Reg Moss attended Te Aro Infant School in Ghuznee Street (later on the
Terrace), St Mark's School and Wellington College.

In World War II he saw service as a Welfare Officer with the Arm. His
university study was as an older student at Victoria [University of Wellington
New Zealand].

Besides the School story his interests include English classics, stories of
humour and detection, New Zealand and Church History.

In Standard 1, on reading Dormitory Flag by Harold Avery, he was
captivated by the School story. The weekly story paper Magnet followed,
and then the monthly Schoolboys' Own Library

With the first Bunter book in 1947 the thought arose: who was Frank Richards?
The 1952 autobiography revealed that Richards was also Martin Clifford and Owen
Conquest. Further, Richards had written King of the Islands in
Modern Boy, but that story paper credited it to a Charles Hamilton.

The mystery was solved in the 1970s. The Howard Baker facsimilies were
followed by numerous publications on the life and creations of Charles Hamilton.
Above all was the discovery of the long established, but privately circulated,
monthly magazine Story Paper Collectors' Digest.

A bibliography appears here in the original publication. It will be
included on this page when it has been edited for the internet.

Notes-Books-Authors 5
was published by
the Society of Friends of
the
Dorothy Neal White Collection Inc
PO Box 12499 Wellington
New
Zealand

Copyright September 1995
ISSN 0114‑5428

The Society of
Friends of the Dorothy Neal White Collection Inc. gratefully acknowledge the
assistance of Lynne Jackett and Joan McCracken in the preparation of this
issue.

The Dorothy Neal White Collection is housed in the National
Library of New Zealand Te Puna Matauranga o Aotearoa.

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